L. Milo chooses the quality of painting using digital interventions in some of her works. It deals mainly with human figures, figures in a realistic way.

In her writing, there is the obvious disposition of documentary expressionism and the intensity in the use of color for aesthetic as well as conceptual purposes is noted.

The design, as well as the kinesiological expressiveness, contribute to the rendering of the semantic coexistence of form and composition. The explosion of colors with special tonality, color and light, almost violently compose the whole of each representation with extensions of documentary expressionism.

Where the color and the design lines give in their way the general feeling of the image as well as its semantic content.

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